Common Ground: What Connects CEE and LA Art. Previous Narratives and Possible New Approaches (from a Feminist Perspective)
Author: Wiktoria Szczupacka This blog post departs from the initial concept of the Narrating Art and Feminism seminar, which is based on bringing together two regions, Central and Eastern Europe (CEE) and Latin America (LA). Such a connection, deriving from the protest against the hegemony of Western art history...
Delphine Seyrig, or Artist as Producer and Feminist Activist at the “Defiant Muses” exhibition (Kunsthalle Wien, 7 April – 4 September, 2022)
Author: Vesna Vuković In the decade survey asking critics to name the greatest films of all time, which is organized by Sight and Sound, the magazine of the British Film Institute, from 1952 on every second year in the decade, last year it was “Jeanne Dielman, 23, quai du...
Of Women and their Invisibility in Histories of Abstraction: Vera Zilzer and Ingibjörg Bjarnason[1]
Author: Ayelen Pagnanelli The lives of Ingibjörg Bjarnason (1901-1967) and Vera Zilzer (1927-2004), as different as they were, resemble those of many women artists. Young women who dived into the modern art scene, only to be erased from its history while their lives took them in different directions,...
Feminist interventions in Eastern Europe and Latin America: a thematic overview
Author: Petra Šarin Introduction This blog post focuses on the brief thematic overview of feminist interventions, as Griselda Pollock calls artistic production made from a feminist standpoint, without reducing them to one aesthetic or essentialist category. The selected artworks were produced in Eastern Europe and Latin America and range...
Strategies of women artists: Leonora Carrington and Female friendship
When faced with the presentation “strategies of women artists” I could not help but think of Leonora Carrington’s friendship with other women artists, how they helped each other through difficult periods and inspired one another creatively and artistically. The idea of female friendship adopted in this text is based...
“[Re] Generating… Narratives and Imaginaries Women in dialogue”: Absences and erasures in art collections in Mexico
INTRODUCTION The exhibition “[Re] Generating… Narratives and Imaginaries Women in Dialogue” is being presented at the Kaluz Museum in Mexico City from October 15, 2022, to April 24, 2023 and has been curated by art historian Karen Cordero Reiman. The exhibition invites us to reflect on the absence of...
Bale Literal’s lexical: a Laura Lima show
It is June, 2019: Rio de Janeiro / Brazil. Laura Lima, a Brazilian philosopher, artist and feminist activist presents ‘Bale Literal’ at A Gentil Carioca, one of the most important art galleries in the country. Bale Literal was an unprecedented work that connected the two gallery buildings directly to...
Restoration of Capitalism: Repatriarchalization of Society (Book review)
BOOK REVIEW: Lilijana Burcar, Restauracija kapitalizma: repatrijarhalizacija društva, Zagreb: Institute of Ethnology and Folklore Research, Centre for Women’s Studies, 2020 Socialist history and legacy have been explored largely from the hegemonic, Western perspective in the globalized (academic) world, and the authors have been forced to ‘catch up’ with...
Book review: Elisa Pérez Buchelli “Art and Politics: Women artists and Action Arts in the Sixties and Seventies” (2019)
In 2019, Elisa Pérez Buchelli published a book that was the result of her MA thesis on Uruguayan women artists entitled Arte y política. Mujeres artistas y artes de acción en los sesenta y setenta (Art and Politics: Women artists and Action Arts in the Sixties and Seventies). Given...
Social Reproduction and the Writing of History
Currently in Warsaw, two exhibitions are on view that focus on social reproduction and writing of women’s history. Social reproduction can be understood as work that is beyond productive work, or, as Tithi Bhattacharya explains: “the activities and institutions that are required for making life, maintaining life, and generationally...
