When faced with the presentation “strategies of women artists” I could not help but think of Leonora Carrington’s friendship with other women artists, how they helped each other through difficult periods and inspired one another creatively and artistically. The idea of female friendship adopted in this text is based...

This essay encompasses notes on the teaching of Lygia Pape (1927-2004), which took place at the Museu de Arte Moderna in Rio de Janeiro – MAM-RJ (1969-1971), the Department of Architecture at the Universidade Santa Úrsula (1972-1985), the Escola de Artes Visuais Parque Lage – EAV (1976-1977), and the Escola de...

Between May 7th and July 24th, a retrospective exhibition of the Italian-Brazilian artist Anna Maria Maiolino (Scalea, IT, 1942) was held at the Tomie Ohtake Institute in São Paulo, Brazil, with the name of “PSSSIIIUUU…”, an ambiguous onomatopoeic word evoking silence, flirting, or a distant call. Planned for over...

It is June, 2019: Rio de Janeiro / Brazil. Laura Lima, a Brazilian philosopher, artist and feminist activist presents ‘Bale Literal’ at A Gentil Carioca, one of the most important art galleries in the country. Bale Literal was an unprecedented work that connected the two gallery buildings directly to...

The following text examines part of the analysis undertaken in my MA Thesis entitled Selvagem sabedoria: a mulher artista e o discurso político do autorretrato em Oriana Duarte [Wild wisdom: the woman artist and the political discourse of self-portrait in Oriana Duarte], published at the Universidade Federal de Pernambuco’s...

On September 25, 2021, the exhibition “Carolina Maria de Jesus. A Brazil for Brazilians” was opened, followed by the exhibition “Constellation Clarice”, on October 23, 2021. Both exhibitions occupied several floors of the Instituto Moreira Salles (IMS) building in São Paulo, Brazil. These two exhibitions included Brazilian female authors...