Exploring the crisis of subjectivity through the interplay between feminist ideology and historical consciousness in ‘postsocialist art history’, or the emergence of the Millennial art historian from the contradiction between the autonomization and privatization of culture
We are presenting texts published in “Artelogie” – Numéro double spécial 22 (2024): Violencia(s), frontera(s) y sentimiento(s): formas, sentidos y significados de la violencia en nuestra América. You can access all the issue here. Author: Natalya Antonova Abstract: Consciousness-raising – positioned as the epitome of feminist method and its end...
Feminism under Socialism? The 1960s Generation of Women Artists and the “Womenʼs Question”
Author: Marianna Placáková[1] The interpretation of state-socialist womenʼs emancipation as we know it today began to gradually take shape in the post-1989 transition period, which saw political democratization, the transition to a market economy, and the transformation of state and public institutions. Although some women scholars and activists living...
Angela
Early next month, the Oakland Museum of California opens the exhibition Angela Davis: Seize the Time. Originally presented at the Zimmerli Art Museum at Rutgers University, the exhibition showcases a massive international visual campaign in support of Angela Davis, the philosopher and American black activist, during her imprisonment and...
Review: Ann Snitow, Visitors. An American Feminist in East Central Europe, 2020. Polish translation in 2022
One of the most interesting books that I have read lately was Ann Snitow’s Visitors. An American Feminist in East Central Europe. Originally published in 2020 in the New Village Press, it appeared in Polish translation (by Agnieszka Grzybek) a few weeks ago. At the beginning of the 1990s,...
