By Andrea Giunta   Andrea Giunta: You’re participating in the Sharjah Biennial with several works. A very moving biennial, very touching, since the project started before the pandemic, curated by Okwui Enwezor, but, in the meantime, he passed away. He was an extraordinary curator, who transformed the way we view...

In Argentina, many herstories are yet to be written, particularly those of women artists active before the 1960s. In this vein, the work of German-born Argentine Annemarie Heinrich (1912–2005), a prolific professional photographer, has only recently begun to attract interest from art historians, largely because of the opening of...

Las olas del deseo. Feminismos, diversidades y cultura visual 2010–2020+ Casa Nacional del Bicentenario March 11–September 11, 2022 In her book, Feminist International: How to Change Everything, political scientist Verónica Gago argues for embracing the concept of feminist potencia. She contends that this act “is to vindicate the indeterminacy...

As a feminist, working-class, and mid-career scholar, I would have never expected to write the personal and professional narrative I am about to begin.[1] In 2019, I was offered a unique chance: the Artistic Director of the Museo Nacional de Bellas Artes (link: https://www.bellasartes.gob.ar/) of Argentina, Mariana Marchesi, called...