The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
We are coninuing to present texts published in FEMINIST ART HISTORIOGRAPHIES IN EASTERN EUROPE AND LATIN AMERICA issue of “Ikonotheka” 33 (2024). Authors: Talita Trizoli Abstract: The reception of second-wave feminist guidelines in the Brazilian artistic system has been a recurring theme of inquiry in feminist historiography because of...
Rosana Paulino. Amefricana: Exhibition at the Museum of Latin American Art of Buenos Aires (MALBA)
Author: Andrea Giunta On March 21, 2024 opens Rosana Paulino’s exhibition at MALBA, Museum of Latin American Art in Buenos Aires. This is her first comprehensive exhibition of her work outside of Brazil, which I am co-curating with Igor Simoes. Active since the 90s, Rosana Paulino – who has...
Polish Women Artists at the Sao Paulo Biennale
Author: Wiktoria Szczupacka At the time of this blog post is being written, the XXXV edition of the Sao Paulo Biennale is currently taking place. Unfortunately, I cannot spot a single Polish name on the list of artists. This is a pity, because for years this event has...
“The Great Circus of Patriarchy” or too stubborn to quit making feminist projects, when feminism went out of fashion
Author: Dra. Talita Trizoli – IEB-USP (FAPESP Grant) Between 2015, the year of the so-called Brazilian “feminist spring”, and the current 2023, a series of changes occurred in the Brazilian artistic system with regard to feminist guidelines. From the youthful enthusiasm of a generation of young artists that discovered...
Narrative-women: the intersection between visual arts and literature in contemporary artistic practices from Brazil
Author: Prof. Dr. Michelle Farias Sommer This blog post focuses on part of my post-doctoral research ongoing at the Post-graduate Program in Literature at the Federal University of Rio de Janeiro under the supervision of Prof. Dr. João Camillo Penna. This research adheres to the efforts for the affirmation...
Strategies of women artists: Leonora Carrington and Female friendship
When faced with the presentation “strategies of women artists” I could not help but think of Leonora Carrington’s friendship with other women artists, how they helped each other through difficult periods and inspired one another creatively and artistically. The idea of female friendship adopted in this text is based...
Lygia Pape, Professor: Pedagogical Practices as Artistic Practices
This essay encompasses notes on the teaching of Lygia Pape (1927-2004), which took place at the Museu de Arte Moderna in Rio de Janeiro – MAM-RJ (1969-1971), the Department of Architecture at the Universidade Santa Úrsula (1972-1985), the Escola de Artes Visuais Parque Lage – EAV (1976-1977), and the Escola de...
The matriarch of Brazilian contemporary art: Anna Maria Maiolino /PSSSIIIUUU…
Between May 7th and July 24th, a retrospective exhibition of the Italian-Brazilian artist Anna Maria Maiolino (Scalea, IT, 1942) was held at the Tomie Ohtake Institute in São Paulo, Brazil, with the name of “PSSSIIIUUU…”, an ambiguous onomatopoeic word evoking silence, flirting, or a distant call. Planned for over...
Bale Literal’s lexical: a Laura Lima show
It is June, 2019: Rio de Janeiro / Brazil. Laura Lima, a Brazilian philosopher, artist and feminist activist presents ‘Bale Literal’ at A Gentil Carioca, one of the most important art galleries in the country. Bale Literal was an unprecedented work that connected the two gallery buildings directly to...
Wild wisdom: the woman artist and the political discourse of self-portrait in Oriana Duarte
The following text examines part of the analysis undertaken in my MA Thesis entitled Selvagem sabedoria: a mulher artista e o discurso político do autorretrato em Oriana Duarte [Wild wisdom: the woman artist and the political discourse of self-portrait in Oriana Duarte], published at the Universidade Federal de Pernambuco’s...
