We are presenting texts published in “Artelogie” – Numéro double spécial 22 (2024): Violencia(s), frontera(s) y sentimiento(s): formas, sentidos y significados de la violencia en nuestra América. You can access all the issue here. Author: Viktoria Popovics Abstract:  Known for her socio-critical paintings, autobiographical works dealing with personal traumas and...

We are presenting texts published in “Artelogie” – Numéro double spécial 22 (2024): Violencia(s), frontera(s) y sentimiento(s): formas, sentidos y significados de la violencia en nuestra América. You can access all the issue here. Author: Cecilia Itzel Noriega Vega Abstract:  Concha Michel was a singer-songwriter, researcher, and fighter for women’s rights...

Author: Vesna Vuković The academic and political path of Lise Vogel (1938 –), a Marxist feminist, feminist sociologist, art historian and activist, is an exceptional example of the meeting of biography and history. Her scientific research was shaped and guided by political events, and activist experiences crucial for her broad...

Author: Marianna Placáková[1] The interpretation of state-socialist womenʼs emancipation as we know it today began to gradually take shape in the post-1989 transition period, which saw political democratization, the transition to a market economy, and the transformation of state and public institutions. Although some women scholars and activists living...

By Andrea Giunta   Andrea Giunta: You’re participating in the Sharjah Biennial with several works. A very moving biennial, very touching, since the project started before the pandemic, curated by Okwui Enwezor, but, in the meantime, he passed away. He was an extraordinary curator, who transformed the way we view...

These days, I find it very difficult for me to focus on my own research, where I embrace critical feminist approaches. It is exactly the feminist perspective that hinders me from becoming vocal again. I feel like I, as a Russian feminist artist, have a position of privilege and...

Between May 7th and July 24th, a retrospective exhibition of the Italian-Brazilian artist Anna Maria Maiolino (Scalea, IT, 1942) was held at the Tomie Ohtake Institute in São Paulo, Brazil, with the name of “PSSSIIIUUU…”, an ambiguous onomatopoeic word evoking silence, flirting, or a distant call. Planned for over...

One of the most interesting books that I have read lately was Ann Snitow’s Visitors. An American Feminist in East Central Europe. Originally published in 2020 in the New Village Press, it appeared in Polish translation (by Agnieszka Grzybek) a few weeks ago. At the beginning of the 1990s,...

It is June, 2019: Rio de Janeiro / Brazil. Laura Lima, a Brazilian philosopher, artist and feminist activist presents ‘Bale Literal’ at A Gentil Carioca, one of the most important art galleries in the country. Bale Literal was an unprecedented work that connected the two gallery buildings directly to...

BOOK REVIEW: Lilijana Burcar, Restauracija kapitalizma: repatrijarhalizacija društva, Zagreb: Institute of Ethnology and Folklore Research, Centre for Women’s Studies, 2020   Socialist history and legacy have been explored largely from the hegemonic, Western perspective in the globalized (academic) world, and the authors have been forced to ‘catch up’ with...